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Most recently broadcast on "Footlight Parade" on WCLV in 2008. We finally find out just who "Old Man De Mississippi" is and what his relationship is to Big Tobacco. First broadcast on "Footlight Parade" on WCLV in 2004. PEDANTO ON "SOUND OF MUSIC", "MUSIC MAN", "OKLAHOMA"įinally proof that "Music Man" is a re-examination of Immanuel Kant's "Critique of Pure Reason" and other astonishments. who will eat who first.? First broadcast on "Footlight Parade" on WCLV in 2008. "LOST" ON BALI H'AIĪ group of castaways including Nathan Detroit, Maria, Tevye, and Sweeney Todd find themselves on a mysterious island. ROGERS AND HAMMERSTEIN'S "SOUTH DAKOTA!"Ī lost manuscript found! Featuring Billy Bigelow, Anna, the King, Enoch, Ado Annie and many more trying desperately to get to the Dream Ballet. MUSICAL THEATRE GEEKS!īefore there was "Glee" there was this game show where two fanatical fans face off on such questions as "Who was the costume designer on the 1914 production of "Banjo Eyes"? And Sudden Death over a Lloyd Webber song. THE PEPPERONISĪ look at Tony Pepperoni, his family, his therapist, and the violent dough business that just keeps pulling him back in. In the future, every radio play will be famous for 15 minutes. ARTNETĪ cruise through the criminal art world with Sergeant Joe Frida. And a couple of humans plopped on earth with no means to cook a monkey. PROMETHEUS AND THE GOD(FATHER)Ī look at Greek Gods as the "Family" they really are. "Attention! Attention must be paid to a jazzman who buys a set of bagpipes, Biff!" First broadcast on WCLV in 2001. DEATH OF A JAZZMANĪ look at musical styles in a bizarre retelling of Arthur Miller's classic. First broadcast on WCLV in 2000, most recently broadcast in 2005. There are many 10-minute play scripts available online.A survey of dramatic styles as seen through the lens of a hand lotion commercial, then a 7-minute race through "Our Town", courtesy of Spike Jones. It doesn't last long, but its power can stand your hair on end.” The natural time constraint imposed by the form has in no way limited the power of the genreon the contrary, it enhances it, forcing playwrights to get the story moving quickly and keep dramatic action tight, encouraging actors to showcase their talents by playing multiple roles, and allowing audiences to enjoy a broad spectrum of theatre in one sittinga theatre buffet, so to speak.Ī popular anthology of 10-minute plays describes the genre this way: “A ten-minute play is a streak of theatrical lightning. Many of the most prominent playwrights of the modern Theatre have tried their hand at the ten-minute play, including David Mamet, Christopher Durang, Craig Lucas, Tony Kushner, David Ives, August Wilson, and many others.
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They are a legitimate form of theatre that has proven highly popular with audiences around the world. What began there as a quirky exercise in “Polaroid playwriting” has since evolved into nothing short of a theatrical phenomenonan exciting and powerful new format that has altered the theatrical landscape with its possibilities. Although Pierre Loving published a book of "ten minute plays" in 1923 (this anthology included pieces by such notable playwrights as Arthur Schnitzler, Ferenc Molnar and August Strindberg), the “official debut” of the 10-minute play as a genre is usually traced back to the Actors Theatre of Louisville’s 1977 Humana Festival of New American Plays.